These have a bit of roughness to them due to grit in kilns as we know. There is the tiniest little chip that is old on the base at the bottom. If you don’t love the pitcher just send it back! I stand 100 behind it and my reputation is 100% for good reason. I see these as firing issues and not repairs but you be the judge. In the case of one there is the tiniest touches of the same color paint next to it. I looked at them under a loop and I do not see them as repairs as they are translucent like glaze. All I see is what I think are two glaze tiny blobs on the top of the pitcher. I do not see any repairs to the spout nor chips. Scalloped with a beautiful soft line horizontal in the piece. 18th Century Creamware Pitcher Scalloped King’s Rose Intricate Color Aesthetic. Vintage bohemian green glass pitcher with glass top and handle, griffin shaped spout, and a coat of arms with the motto Spes Ultima Dea (Latin for Hope is the last goddess.). A handsome gothic-revival ceiling lamp illuminated the space.Item: 274648824306 18th Century Creamware Pitcher Scalloped King’s Rose Intricate Color Aesthetic. Vintage Green Bohemian Glass and Brass Carafe Pitcher Coat of Arms Figural Lions. The portrait is surrounded by an interwoven oak and vine chain with the names of the fifteen states. A portrait of Madison is set in an oval, with a scroll above that reads James Maddison sic President of the United States. Early nineteenth-century leather firebuckets, made by local saddler Aaron Fitz, were handy in case of need as were iron coat hooks. This small creamware pitcher is decorated with three transfer prints, one celebrating James Madison, one titled Peace and Plenty, and the Arms of the United. The wallpaper covered pencil inscriptions by the family dating between 18. In April 1853 Anne "installed wallpaper above the grain-painted woodwork" and described the entry as "much more tidy and lady-like…I have an oil cloth like the front one and upon the whole we look pretty well." The new wallpaper featured ashlar blocks, a pattern resembling masonry that had been fashionable, especially in halls, since colonial times. Even after it was cracked, it still made "its annual appearance on the day of National rejoicing." The room also features a portrait of Anne at age 20 by Joseph Greenleaf Cole. The pitcher, inscribed "Washington in Glory / America in Tears," was used to serve lemonade on the Fourth of July. Important family tablewares include a colonial silver tankard made by John Butler, a creamware pitcher made circa 1800 in memory of George Washington, and Zilpah and Stephen Longfellow's blue and white Staffordshire wedding china. Anne completed the room with a straw carpet, a popular floor covering. New additions included an oil-burning lamp with counterweights that allowed it to be raised and lowered. Photographs show the mahogany writing desk used by the poet in a new role as a sideboard. The room was furnished with mahogany drop-leaf dining tables and rosewood-grained side chairs. As the fireplace was not needed, the fireplace opening was closed with a fireboard covered with wallpaper, a popular nineteenth-century technique. The northern exposure with a view to the garden offered cool, welcome relief from the noisy street. Downing recommended this painted finish: "The great advantage which grained woodwork has over that which is simply painted white, is that it is so easily kept clean…The grained surface being made smooth by varnishing, does not readily become soiled." This durable decoration has survived remarkably well for 150 years. The 1850 book The Architecture of Country Houses, by A.J. "The paint is to be oak, very light and the back entry to match-it all needs the renovation badly, but I do hate to change any thing so much." In March 1853, Anne wrote "of the charming paper" brother Sam provided. The small room behind the parlor, a place for quiet reflection, was where Henry wrote his poem "The Rainy Day." During the 1840s, it served as an office for his brother Alexander, but after Alexander left the house, it was converted for use as a summer dining room.
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